These large-scale works appear to reflect an urban environment that has been built, eroded, and re-built over time. Modular geometric shapes are stacked upon the initial layers in ordered arrays that mimic circuitry, diagrams, architectural details, and tapestries.  Pryor uses a simple palette of subtle muted tones, whites and greys over bright colors that peak out underneath the sanded and tinted surface.  The Tablet series works convey an impression of order and movement in which structure is constantly negotiated, questioned and affirmed. The titles of the works are from various ancient literary sources.  In Pryor’s words “I am interested in the space between the integrity of structures and natural processes of erosion, erasure and change through time. "